These guys know how it is.

I follow an excellent blog, Guide to Literary Agents, with lots of good articles and such. One of the ongoing articles is “7 things I’ve Learned” and that prompted this blog because, amazingly, everyone’s Things are different. We are all ‘snowflakes’ after all, even as writers!

1.       Notice everything. The world is filled with sounds, smells, textures, and fabulous stories unfolding all around you. Take the time to notice, and keep something handy to jot down new thoughts/ways to describe that sensory input as it comes to you. Sometimes, when I really let myself experience any given moment in time, I’m overwhelmed by all that’s going on. Life is a series of amazing moments.

2.       Write what interests you. I ended up writing “crime/suspense mysteries with a romantic twist” which I never expected to do in my younger, more literary-ambitious days. I started no less than 5 novels before I finally finished one in a genre that kept my own interest long enough to write 350 pages of it. (I also LOVE reading these kinds of books, but honestly never thought I could write them. Shows what I know!)

3.       Write about themes that touch something deep inside. I became a therapist for a lot of reasons, not least of which is my desire to help others heal—but there’s another side to me that wants to kick some abuser ass, and it’s that part of me that Lei, my crime-fighting detective, “actualizes” as we say in the biz. Course, it took me three books with her for me to really understand WHY I was drawn to the themes I was, and to really own them, shucking off cognitive dissonance.

4.       Write whatever interests you. I know I already said this, but this time I mean don’t try to write something only for it to sell. Write poetry, essays, novellas, series, flashfiction, fanfiction, bumper stickers… it’s all practice and part of the body of your work, and you never know what piece will lead to something else.

5.       Be brave. Think of it as “touching universal themes”—write about pain, pleasure, rage, and joy from the depth of your experience. FEEL the experience as you write about it. There’s no getting away from exposing yourself when you’re a writer. Course it doesn’t all have to be agony and ecstasy; a good description of that niggling, drafty suspicion that your pants have burst a seam is also universal.

6.       Persevere. I had no idea how really, truly difficult it is to get published. I could way more easily have done a doctoral degree—that also requires a lot of study and writing, but at the end when you’ve fulfilled all the requirements, they HAVE to give you the little paper with “doctor” on it. At the end of every considerable, unpaid, and even paid-for-professional-editor effort you can still get, “Thanks for letting me have a look at this. However, it’s not right for our list at this time” (a nicely worded rejection. Many are less kindly worded.) What’s my advice? Cry. Rant to friends about the obtuseness of everyone not getting your obvious genius. Then, get back in front of the computer and revise, rewrite, and never stop learning how you can improve. Humble out. You don’t know everything even when you think you do. Oh, and nothing is ever actually finished until it’s in print.

7.       Make room in your life. Most people have at least toyed with the idea of writing a book, and NaNoWriMo has been a part of fulfilling that dream for many. If you’re going to be a “professional” writer (and don’t give up your day job just yet) you need to have actual time behind the computer built into your life. Study what works for you to produce words on the page—spurts of productivity with a deadline, daily goals, an outline, a laptop at Starbucks—figure it out and plan it in. For me it’s setting goals for myself, scheduling time (I work six days a week, so NOBODY gets to whine to me about not having time) and then DO IT. I get most done on what I call “retreats”—stretches of time when I step out of my regular life and into the world of my characters. A writing day for me is akin to a spa day—a wily tactic for luring the muse out to play. On the other hand, the dearth of time I have creates an urgency that people with more may not feel. If so, fake yourself out.

No excuses. This is your life you’re spending, and worlds are waiting to be born through you.

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